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The Architecture of the Screen: Essays in Cinematographic Space, by Graham Cairns
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With the birth of film came the birth of a revolutionary visual language. This new, unique vocabulary - the cut, the fade, the dissolve, the pan, and the new idea of movement - gave not only artists but also architects a completely new way to think about and describe the visual. The Architecture of the Screen examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film’s visual vocabulary influenced architecture in the twentieth century and continues to influence it today. Graham Cairns draws on film reviews, architectural plans, and theoretical texts to illustrate the unusual and fascinating relationship between the worlds of filmmaking and architecture.
- Published on: 2013-09-01
- Released on: 2013-09-01
- Format: Kindle eBook
Review
"Graham Cairns's book is an innovative and welcome addition to the dialogue between cinema and architecture. Recently established as a field of research, this interdisciplinary terrain is relevant to other disciplines beyond architecture and film. Its influence is already evident in established fields such as history, geography, and cultural and language studies, but it is also gaining ground in other areas. This book is an opportunity to explore the alternative and complementary intelligence this field opens up, and which can be injected at various stages of creative design processes."
(François Penz, author of the foreword)
About the Author
Dr Graham Cairns, UK, 1971, is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts group, Hybrid Artworks, that specialised in video installation and performance writing.
He is author and editor of: El arquitecto detrás de la cámara, Abada Editores, Madrid, 2007; Deciphering Art, Architecture and Advertising; selling to the sophisticated Consumer, Libri, Publishing, London, 2010; Reinventing Architecture and Interiors - a socio-political view of building adpatation. He is currently editor of the academic journal Architecture_MPS (Architecture, Media, Politics, Society).
Most helpful customer reviews
1 of 1 people found the following review helpful.
Architecture of the screen
By margo
This book sets out to upturn some conventions about how architecture appropriates film. It states that it turns a scenography approach into a cinematographic one. It does. I found it revealing in its general theme and in its details. The different (and very different) sections, are each full of fascinating details and unexpected connections between film, architecture, philosophy, art etc. Sometimes, it goes too far and the author let's his range of knowledge get in the way of a clear argument. But the range of subjects linked into the overall theme is impressive. It's very well and clearly written despite using some obscure references - and the footnotes are useful in explaining some theoretic concepts and technical issues. It's equally about film and architecture and doesn't seem to favour one or the other. Well worth the time (and sometimes difficulty) in reading.
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